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The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
The Book of Daniel is "a composite text of dubious historicity from various genres", [4] and Daniel himself is a legendary figure. [5] The book of which he is the hero divides into two parts, a set of tales in chapters 1–6 from no earlier than the Hellenistic period (323–30 BCE), and the series of visions in chapters 7–12 from the ...
The last mention of Daniel in the Book of Daniel is in the third year of Cyrus (Daniel 10:1). Rabbinic sources suppose that he was still alive during the reign of the Persian king Ahasuerus (better known as Artaxerxes – Babylonian Talmud, Megillah 15a, based on the Book of Esther 4, 5), but he was killed by Haman , the wicked prime minister ...
Chapters 10, 11, and 12 in the Book of Daniel make up Daniel's final vision, describing a series of conflicts between the unnamed "King of the North" and "King of the South" leading to the "time of the end", when Israel will be vindicated and the dead raised, some to everlasting life and some to shame and everlasting contempt.
The seventy weeks prophecy is internally dated to "the first year of Darius son of Ahasuerus, by birth a Mede" (Daniel 9:1), [34] later referred to in the Book of Daniel as "Darius the Mede" (e.g. Daniel 11:1); [35] however, no such ruler is known to history and the widespread consensus among critical scholars is that he is a literary fiction. [36]
Susanna and the Elders by Artemisia Gentileschi. Susanna (/ s u ˈ z æ n ə /; Hebrew: שׁוֹשַׁנָּה, Modern: Šōšanna, Tiberian: Šōšannā: "lily"), also called Susanna and the Elders, is a narrative included in the Book of Daniel (as chapter 13) by the Catholic Church, Oriental Orthodox Churches and Eastern Orthodox Churches.
C'. (chapter 5) – Daniel interprets the handwriting on the wall for Belshazzar; B'. (chapter 6) – Daniel in the lions' den; A'. (chapter 7) – A vision of four world kingdoms replaced by a fifth; Daniel 5 is thus composed as a companion-piece to Daniel 4, the tale of the madness of Nebuchadnezzar, the two giving variations on a single theme.
The story of Daniel in the lions' den in chapter 6 is paired with the story of Shadrach, Meshach, and Abednego and the "fiery furnace" in Daniel 3. The parallels include the jealousy of non-Jews, an imperial edict requiring Jews to compromise their religion on pain of death, and divine deliverance.