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An example of a full wallpaper name in Hermann-Mauguin style (also called IUCr notation) is p31m, with four letters or digits; more usual is a shortened name like cmm or pg. For wallpaper groups the full notation begins with either p or c, for a primitive cell or a face-centred cell; these are explained below.
A pakudos symbol. A pakudos is a visual motif used by the Hanunuo Mangyan people of Mindoro in the Philippines. Pakudos are characterized by symmetrical, aesthetic, and orderly utilization of lines and space with equal utilization of vertical and horizontal composition. [1] The word pakudos was coined from cruz, the Spanish word for cross.
It is considered to represent the abode of the deity. Each yantra is unique and calls the deity into the presence of the practitioner through the elaborate symbolic geometric designs. According to one scholar, "Yantras function as revelatory symbols of cosmic truths and as instructional charts of the spiritual aspect of human experience" [5]
Armenian cross: Symbol of the Armenian Apostolic Church, and a typical feature of khachkars. Also known as the "Blooming Cross" owing to the trefoil emblems at the ends of each branch. A khachkar (cross-stone) is a popular symbol of Armenian Christianity. Bolnisi cross: Ancient Georgian cross and national symbol from the 5th century AD.
A dictionary of Chinese symbols : hidden symbols in Chinese life and thought. London: Routledge & Kegan Paul. ISBN 978-0-203-03877-2. OCLC 826514710. Ren, Liqi (2013). Traditional Chinese visual design elements: their applicability in contemporary Chinese design (Master of Science in Design thesis). Arizona State University.
The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.