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Cebuano (/ s ɛ ˈ b w ɑː n oʊ / se-BWAH-noh) [2] [3] [4] is an Austronesian language spoken in the southern Philippines by Cebuano people and other Ethnic groups as secondary language. . It is natively, though informally, called by its generic term Bisayâ ([bisəˈjaʔ]) or Binisayâ ([bɪniːsəˈjaʔ]) (both terms are translated into English as Visayan, though this should not be ...
Joselito Altarejos is a Filipino filmmaker having won several awards in the Philippines as well as internationally. He is well known for his ground-breaking openly gay-themed film features like The Man in the Lighthouse (in Tagalog Ang Lalake sa Parola), Antonio's Secret (in Tagalog Ang Lihim ni Antonio), Kambyo, The Game of Juan's Life (in Tagalog Ang Laro ng Buhay ni Juan), Pink Halo-Halo ...
Ang Lihim ni Antonio (English: Antonio's Secret) is a 2008 Filipino film by Filipino film director Joselito Altarejos.It tells the story about teenage boy whose emerging gay sexuality alienates him from his friends and family, until his libertine uncle, Jonbert (Josh Ivan Morales), comes to live with him and his mother.
Romblomanon or Bisaya/Binisaya nga Romblomanon is an Austronesian regional language spoken, along with Asi and Onhan, in the province of Romblon in the Philippines.The language is also called Ini, Tiyad Ini, Basi, Niromblon, and Sibuyanon.
Kinaray-a, Kinaray-a Bukidnon, or Hiniraya, possibly deriving from "Iraya." It was the primary language spoken by the majority of the Panay people whom the first Spanish colonizers encountered upon their arrival and subsequent settlement in Ogtong (now Oton, Iloilo) between the late 16th and early 17th centuries.
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Corazon: Ang Unang Aswang (lit. ' "Corazon: The First Aswang " ' ), or simply Corazon , is a 2012 Filipino psychological thriller film starring Erich Gonzales and Derek Ramsay . It is the second film produced by Skylight Films , and released by Star Cinema .
Isinuko ang Bataan" (coined after the "Fall of Bataan" during World War II) is a connotation for a woman to give her virginity to a man by letting him penetrate her. [ 42 ] Tan posits that most sexual language in the Philippines is patriarchal: it focuses on the actions and expectations of the male, rather than female, participants. [ 1 ]