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Utagawa Kuniyoshi's portrait of Oiwa.. Yotsuya Kaidan (四谷怪談), the story of Oiwa and Tamiya Iemon, [a] is a tale of betrayal, murder and ghostly revenge.Arguably the most famous Japanese ghost story of all time, it has been adapted for film over 30 times and continues to be an influence on Japanese horror today.
Directed by Masaki Kobayashi, Kwaidan is an anthology film comprising four stories, each based upon traditional ghost stories. [10] Similar to Onibaba, Kwaidan weaves elements of Noh theater into the story. [9] The anthology uses elements of psychological horror rather than jump scare tactics common in Western horror films. [10]
Ghost stories (怪談) performed as theatrical entertainment, often during summer months. These supernatural tales became a popular form of storytelling performance during the Edo period and continue to influence modern Japanese theater and cinema. Kakegoe Traditional shouts or calls (掛け声) used in Japanese theater, especially kabuki ...
Japanese urban legends, enduring modern Japanese folktales; La Llorona, the ghost of a woman in Latin American folklore; Madam Koi Koi, an African urban legend about the ghost of a dead teacher; Ouni, a Japanese yōkai with a face like that of a demon woman (kijo) torn from mouth to ear; Teke Teke, a Japanese urban legend about the spirit of a ...
Ugetsu Monogatari is one of the best-known and most highly regarded kaidan-shu, collections of supernatural or ghost stories that became popular in Japan during the Edo period. [5] It utilizes elements from all three primary types of kaidan: adaptations of Chinese stories, Buddhist ghost stories, and Japanese folk-tales.
Japanese novelist Haruki Murakami hosted a ghost story reading event in Tokyo amid growing attention before the announcement of this year's Nobel Prize in literature, an award he is a perennial ...
Jikininki (食人鬼, "human-eating ghosts") appear in Lafcadio Hearn's Kwaidan: Stories and Studies of Strange Things (1904) as corpse-eating spirits.In Japanese Buddhism, jikininki ("human-eating ghosts"; pronounced shokujinki in modern Japanese), are similar to Gaki/Hungry ghost; the spirits of greedy, selfish or impious individuals who are cursed after death to seek out and eat humans and ...
The sound design and original music by Dean Harada also reflect influences from Japanese ghost stories, Wear notes. In the opening scene, Himiko delivers a monologue, calling out to her dead ...