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The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the loggia of the Uffizi, Florence, Italy. This is one of the earliest works of Botticelli where he painted a portrait of the Virgin Mary with Jesus Christ as a child, sitting in a ...
[7] [8] Ultramarine was usually reserved for only the most important commissions, such as the blue robes of the Virgin Mary in Gérard David's Virgin and Child with Female Saints. While the Italian term Madonna paralleled English Our Lady in late medieval Marian devotion, it was imported as an art historical term into English usage in the 1640s ...
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
The painting was executed by twenty-three-year-old Raphael within months of his 1504–1505 arrival in Florence. [1] [2] The scene represents the figures of the Virgin Mary, the infant Jesus, and an infant John the Baptist shown in a calm grassy meadow, in a pyramidal arrangement linked by their gazes. Mary is wearing a gold-bordered blue ...
The Virgin appearing to St. Bernard; Virgin in Glory with Saints; The Virgin in Prayer; Virgin Mary (El Greco, Madrid) Virgin Mary (El Greco, Strasbourg) The Virgin Mary and Saint Francis Saving the World from Christ's Anger; The Virgin Mary as a Child Praying; The Virgin of Charity (El Greco) Virgin of Mercy (Filippo Lippi) Virgin of Mercy ...
Hence, it was an expression of devotion and glorification to swathe the Virgin in gowns of blue. Transformations in visual depictions of the Virgin from the 13th to 15th centuries mirror her "social" standing within the Church as well as in society. [3] In art the association of blue with Mary was complemented by an association of red with ...
[3] [4] The painting was briefly exhibited in the parish church for the Vatican, Sant'Anna dei Palafrenieri, before its removal, due to its unorthodox portrayal of the Virgin Mary. [5] There are a lot of reasons why the piece may have been removed, such as the nudity of the child Jesus and the Virgin Mary revealing too much of her breast. [4]
The Madonna del Rosario, c. 6th century, (70.2 x 40.5 cm). The Madonna del Rosario is an icon of Mary commonly dated to the sixth century or earlier. [1] It is an early version of a type of icon known as the Agiosoritissa or the Maria Advocata, in which Mary is depicted without the Christ Child, with both hands raised.