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The top-frock was usually double breasted. [1] The formal variety was sometimes called a Prince Albert overcoat. The Prince Albert top frock, from the later half of the 19th century, originally had a three-inch-wide velvet collar, and flap pockets at the hip, until 1893, when it became even more fitted, longer, and double-breasted. [2]
Double wedding with grooms wearing formal black double-breasted frock coats with silk-faced lapels, light grey waistcoats, cashmere striped formal trousers, button dress boots, light gloves and Ascot-knotted cravats with cravat pin (April 1904).
The Chesterfield coat, a long overcoat with very little waist suppression; being the equivalent of the "sack suit" for clothes, it came to be the most important overcoat of the next half-century. The Covert coat , a classically brown/fawn, straight cut, single breasted country coat that became accepted for wear in the city with a suit as well ...
The greca, or more properly the douillette, is a clerical double-breasted overcoat worn over the cassock. The greca is slightly longer than the cassock so as to entirely cover it. The greca is black except in the case of the Pope who wears a white greca. The black greca may have either a plain or velvet collar.
A grey striped six-on-one double-breasted suit with jetted pockets, a style popular in the 1980s. A double-breasted garment is a coat, jacket, waistcoat, or dress with wide, overlapping front flaps which has on its front two symmetrical columns of buttons; by contrast, a single-breasted item has a narrow overlap and only one column of buttons.
The Chesterfield coat, with its heavy waist suppression using a waist seam, gradually replaced the over-frock coat during the second half of the 19th century as a choice for a formal overcoat, and survived as a coat of choice over the progression from frock coat everyday wear to the introduction of the lounge suit, but remained principally associated with formal morning dress and white tie.