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That increased corporate organization of society, Schultz notes, reduced white-collar workers' (represented by Tom Rath and the other gray-suited "yes men") control over what they did and how they did it as they adapted to the "organized system" described and critiqued by contemporary social critics such as Paul Goodman, C. Wright Mills, and ...
The Man in the Gray Flannel Suit is a 1955 novel by Sloan Wilson about the American search for purpose in a world dominated by business. The main characters, Tom and Betsy Rath, are a young middle-class couple that share a struggle to find contentment in their hectic and material culture, while several other characters fight essentially the same battle, but for different reasons.
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The Man in Grey is a 1943 British melodrama film made by Gainsborough Pictures; it is considered to be the first of a series of period costume dramas now known as the "Gainsborough melodramas". It was directed by Leslie Arliss and produced by Edward Black from a screenplay by Arliss and Margaret Kennedy that was adapted by Doreen Montgomery ...
The New York Times Style Magazine explains one iconic suit of the era, the gray flannel suit: Back in 1955, when denim was the height of rebelliousness, Sloan Wilson's novel The Man in the Gray Flannel Suit turned a men's classic into a synonym for drab, middle-class conformity . . . Flannel had humble beginnings — the name is reputedly ...
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Gray jackets were sometimes worn on landing party duty. Officers in the first Star Trek pilot, "The Cage", wore a single solid gold sleeve stripe, and only the officer grades of "lieutenant" and "captain" were used in dialog. A "chief" was also visible, but wearing a different sleeve stripe, consisting of two thin lines encircling the cuff ...
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