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The Besson five-valve euphonium featured the standard three piston valves horizontally not on top, but had an additional two piston valves off to the side. The standard euphonium has eight possible fingering and non-fingering positions by which sound is produced. The Besson and the Highams "clearbore" model rare fourth and fifth extra "side ...
It has a bore that is mostly conical, like the flugelhorn and euphonium, [2] and normally uses a deep, cornet-like mouthpiece. It is most commonly used in British brass bands, and Mexican banda music whereas the French horn tends to take the corresponding parts in concert bands and orchestras. However, the tenor horn has occasionally been used ...
A Willson 2900 euphonium, a professional model commonly used in American service bands. The euphonium repertoire consists of solo literature and parts in band or, less commonly, orchestral music written for the euphonium. Since its invention in 1843, the euphonium has always had an important role in ensembles, but solo literature was slow to ...
The euphonium is sometimes referred to as a tenor tuba and is pitched in B ♭, one octave higher than the BB ♭ contrabass tuba. The term "tenor tuba" is often used more specifically to refer to B ♭ rotary-valved tubas pitched in the same octave as euphoniums. The "Small Swiss Tuba in C" is a tenor tuba pitched in C, and provided with 6 ...
Double bell euphonium being played. The double bell euphonium is a duplex instrument based on the euphonium. The larger bell produces the mellow tone of a standard euphonium; the second smaller bell has a brighter tone, similar to a baritone horn or valve trombone. The instrument is sometimes dismissed as a novelty, but has had some ...
A chromatic scale exercise from Arban's Method. Arban's series on scales includes studies of major, minor, and chromatic scales, as well as numerous variations thereof. Arban admits to giving minor scales "limited treatment," but Gordon refutes this by citing the nonexistence of "limits on the use of the Trumpet and Cornet." [3]: 57
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The valve trombone emerged concurrently with the invention of valves in the early 19th century. Most early instruments retained the shape and form of the slide trombone, employing three valves with the tubing arranged in place of the slide; others used the new valve mechanism as an opportunity to explore different configurations while retaining the overall cylindrical bore and bell profile.