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The jacks are similar, but they will benefit from being arranged back to back, since the two [bass] octaves take as much space as four in an ordinary harpsichord [14] Prior to 1980 when Keith Hill introduced his design for a pedal harpsichord, most pedal harpsichords were built based on the designs of extant pedal pianos from the 19th century ...
Notable makers born in German speaking states who emigrated to other countries are included here, but listed under the color of the building tradition in which they made their name. Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [1]
People noted for their involvement in construction of harpsichords. For companies noted for manufacturing harpsichords, see Category: ...
Hans Ruckers was a Catholic and had 11 children, two of whom became harpsichord makers, and his daughter Catharina (to whom harpsichord maker Willem Gompaerts (c.1534 – after 1600) was godfather) married into the instrument-making Couchet family, ensuring a strong continuation of both dynasties; his son Joannes continued in the family craft.
Some German harpsichords included a choir of 2-foot strings (that is, strings pitched two octaves above the primary set). A few even included a 16-foot stop, pitched an octave below the main 8-foot choirs. One still-preserved German harpsichord even has three manuals to control the many combinations of strings that were available.
Keith Richard Hill (born 8 May 1948) is a prize winning [1] American maker of musical instruments [2] [3] He has conducted research into the acoustical technology employed by musical instrument makers from 1550–1850, and used this knowledge to create hundreds of harpsichords, clavichords and other instruments.
[citation needed] Thus the Neupert firm still offers its mid-century "Bach" model for sale, defending it explicitly on the grounds of its suitability for 20th-century music. [3] The transition of harpsichord building toward historicist principles is covered in detail by Hubbard (1965), Zuckermann (1969), and Kottick (2003), cited below.
At the time of the publication of his book, Three Centuries of Harpsichord Making, in 1965, Ralph Kirkpatrick wrote that "he unquestionably knows more about the history and construction of harpsichords than anyone alive today". He developed a harpsichord in 1963 based on a Pascal Taskin instrument of 1769 which was sold as a do-it-yourself kit ...