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The Crucifixion is a 2017 horror film directed by Xavier Gens, written by Chad Hayes and Carey W. Hayes and starring Sophie Cookson, Brittany Ashworth and Corneliu Ulici. It is based on the Tanacu exorcism that took place in Vaslui County , Romania , in 2005.
The triptych summarises themes explored in Bacon's previous work, including his examination of Picasso's biomorphs and his interpretations of the Crucifixion and the Greek Furies. Bacon did not [1] realise his original intention to paint a large crucifixion scene and place the figures at the foot of the cross. [2]
The outer wings of the Isenheim Altarpiece were opened for important festivals of the liturgical year, particularly those in honour of the Virgin Mary. Thus are revealed four scenes: the left wing represents the Annunciation during which the archangel Gabriel comes to announce to Mary that she will give birth to Jesus, the son of God. The ...
Daprile said the earliest known depiction of the crucifixion is actually an insult, or "graffito blasfemo," from around the year 200 A.D.. It depicts a naked and crucified person with the head of ...
The Crucifixion Altarpiece is a multimedia altarpiece, with painted exterior panels by Melchior Broederlam and an interior carved by Jacques de Baerze. [1] It is also known as the Retable of the Crucifixion and the Dijon Altarpiece. It was commissioned by Philip the Bold, Duke of Burgundy for the Chartreuse de Champmol.
The Lamentation of Christ is a topic in Christian religious art, especially popular in the High Medieval, Renaissance, and Baroque periods, which depicts the moment of mourning following the Crucifixion and lowering of Christ's body from the cross. Mantegna's variant includes some aspects commonly associated with the scene, including the ...
The Crucifixion was placed above the central panel of the altarpiece, underlining the sacrificial (Eucharistic) nature of the central panel. [6] Although the panel unnaturalistically represents the narrative against a gold background (a medieval formula for representing sacred scenes), Masaccio creates an effect of reality by depicting the event from below, as the viewer standing before the ...
The left-hand wing depicts the Crucifixion. It shows Christ's followers grieving in the foreground, soldiers and spectators milling about in the mid-ground and a portrayal of three crucified bodies in the upper-ground. The scene is framed against an expansive and foreboding sky with a view of Jerusalem in the distance.