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Pinkard & Bowden are an American country music duo composed of singer-songwriters James "Sandy" Pinkard and Richard Bowden (/ ˈ b aʊ d ə n /), who also play guitar and bass guitar. The duo's music comprises a mix of musical parody and original comedy songs. Pinkard has also written hit singles for Mel Tillis, Anne Murray, and Vern Gosdin, among
"Blessed Are the Believers" is a song written by Charlie Black, Rory Bourke and Sandy Pinkard (of Pinkard & Bowden), and recorded by Canadian country music artist Anne Murray. It was released in March 1981 as the first single from Murray's Gold-certified Where Do You Go When You Dream album.
Them There Eyes" is a jazz song written by Maceo Pinkard, Doris Tauber, and William Tracey that was published in 1930. One of the early recorded versions was performed by Louis Armstrong in 1931. [ 1 ]
Sugar", also known as "That Sugar Baby o' Mine", is a popular song by Maceo Pinkard, his wife Edna Alexander and Sidney D. Mitchell. Recorded by Ethel Waters on February 20, 1926, [ 1 ] it soon achieved chart success.
"Elvis Was a Narc" by Pinkard and Bowden "Elvis Was a Skinhead" by The Ataris "Elvis Went to Hollywood" by Counting Crows "Elvisly Yours" by The Johnnys "Eternal Flame" by The Bangles "Ethän vertaa mua Elvikseen" (Please Don't Compare Me to Elvis) by Kari Peitsamon Skootteri "Everything Zen" by Bush "From Graceland to the Promised Land" by ...
Maceo Pinkard (June 27, 1897 – July 21, 1962) was an American composer, lyricist, and music publisher. Among his compositions is " Sweet Georgia Brown ", a popular standard for decades after its composition and famous as the theme of the Harlem Globetrotters basketball team.
The first two songs recorded are "Mattie Groves" and "Come All You Fair and Tender Ladies". In the film they are sung by Emmy Rossum. An album was released with modern singers performing the same songs. They include Rosanne Cash, Emmylou Harris and Dolly Parton. [14] In 2010, Marideth Sisco performed a portion of the song in the film Winter's ...
The song originated when Bacharach and David were asked to write a song with the title "Wives and Lovers", on the theme of marital infidelity, as a promotional tie-in for the 1963 film Wives and Lovers. The song did not appear in the film but was intended simply to promote the film, making it what was known at the time as an "exploitation song".