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Weezer has been described as a fusion of "chart-angled hook-craft" with "roaring" guitar distortion, confessional lyrics and "unashamedly vibrant" melodies.Andy Price of Guitar.com observed that the album's sound and aesthetic were "distinctly non-alternative", stating that the band instead "took their style cues from the DIY slackers of the lo-fi indie scene, albeit with a broader audience in ...
The album art of other musicians has been influenced by Blue Note's covers, including Elvis Costello's Almost Blue (1981), whose cover is an homage to Burrell's Midnight Blue (1963), Van Morrison's The Skiffle Sessions – Live in Belfast (1998), which has a cover inspired by Blakey's Free for All (1965), and Aesop Rock's Float (2000), whose ...
The promotion for Blue Banisters was minimal compared to Del Rey's previous releases, mainly due to Del Rey deactivating her social media accounts in September 2021. [17] Del Rey first revealed cover art for the album on April 28, 2021. The initial album art depicts a selfie that Del Rey had previously posted in August 2020 with a sepia-toned ...
Self-consciously nerdy in an era of scuzzy post-grunge bluster, 1994's crisp and witty "Weezer" — soon to be known as the Blue Album because of its cover (and the fact that the band kept naming ...
Cool Struttin ' is a studio album by the jazz pianist and composer Sonny Clark.It was released through Blue Note Records in August 1958. The recording was made on January 5, 1958 with a group for the session consisting of horn section Art Farmer and Jackie McLean, and Miles Davis Quintet rhythm section Philly Joe Jones and Paul Chambers.
New Moon Daughter is a studio album by American jazz singer Cassandra Wilson that was released by Blue Note in 1995. The album reached No. 1 on the Billboard magazine jazz album chart and also won the Grammy Award as the Best Jazz Vocal Performance.
The Sidewinder is a 1964 album by the jazz trumpeter Lee Morgan, recorded at the Van Gelder Studio in Englewood Cliffs, New Jersey, U.S.It was released on the Blue Note label as BLP 4157 and BST 84157 ().
After working in New York City in the early 1950s for John Hermansader and Esquire magazine [2] and Margaret Hockaday's advertising firm, [3] Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs.