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The kendang usually has the function of keeping the tempo (laya) while changing the density , and signaling some of the transitions (paralihan) to sections and the end of the piece (suwuk). In the dance or wayang performance, the kendang player will follow the movements of the dancer, and communicate them to the other players in the ensemble.
Sundanese dance is usually cheerful, dynamic and expressive, with flowing movements in-sync with the beat of kendang accompanied with Gamelan degung music ensemble. In Sundanese culture the term ngibing means "to dance", but it is indeed performed in particular Sundanese style, usually performed between male and female couple. In West Java, all ...
The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, [1] kendang of Maritime Southeast Asia and other South Asian double-headed drums. . Its older forms were made with c
Gordang sambilan is a kendang (Indonesian version of drum) musical instrument originating from North Sumatra, Indonesia. [1] Gordang sambilan consists of nine relatively large and long drums (drum chime) made of ingul wood and played by four people. The size and length of the nine drums are stratified, starting from the largest to the smallest.
The kendang part is the most complex in gong kebyar, drawing from a rich lexicon of rapid-fire, syncopated patterns to fit the mood and progression of pitched music. The lanang drummer is responsible for filling in an appropriate interlocking part. Kendang players may sit facing the same way, wadon in front and lanang behind.
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A set of kendang, consisting of one large (kendang indung) and two small double-sided drums (kulantér). Suling degung: a four-holed bamboo flute. Suling kawih: a six-holed bamboo flute, interchangeably used with suling degung; Gambang: a wooden xylophone. Kacapi: a zither. In classical degung, the bonang serves as a conductor for the whole ...