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Kilim are therefore called flatweave or flatware rugs. [1] To create a sharp pattern, weavers usually end each pattern element at a particular thread, winding the coloured weft threads back around the same warps, leaving a narrow gap or slit. These are prized by collectors for the crispness of their decoration.
Due to its relative ease of production (less precise pattern, small number of knots per square centimeter, etc.) a gabbeh is one of the less expensive varieties of Persian carpet. In the 1980s, after the Iranian artist Parviz Tanavoli had experimented with vegetally dyed gabbehs, Gholamreza Zollanvari began producing the rugs in larger ...
Close-up of the pile of a shag carpet, including two popular colors of the 1970s: avocado and harvest gold. A shag is a heavy long piled worsted textile. In the 17th century, the term was also used to refer to inferior silk material. [1] [2] Shag became popular as a material for carpets in the 1960s and 1970s. [3]
The pattern is found all over the rug belt, but bear some resemblance to palmettes from the Sefavi period, and the “claws” of the crab may be conventionalized arabesques in rectilinear style. The Gol Henai small repeating pattern is named after the Henna plant, which it does not much resemble. The plant looks more like the Garden balsam ...
The main fields of Anatolian rugs are frequently filled with redundant, interwoven patterns in "infinite repeat". Thus, the rug represents a section of an infinite pattern, which is imagined as continuing beyond its borders and into the infinite. A specific Islamic pattern is the mihrab pattern which defines the Prayer rug.
Rya rugs, for example, are woven with a combination of techniques that include weaving tapestry, needlework, and carpet knots. [6] Traditionally, Scandinavian Rya rugs were hand-made by artisans who would add symmetric Turkish (or Ghiordes) knots directly to the warp through a specially woven backing. Small holes in the weave allowed the rug ...