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Rickrolling or a Rickroll is an Internet meme involving the unexpected appearance of the music video to the 1987 hit song "Never Gonna Give You Up", performed by English singer Rick Astley. The aforementioned video has over 1.5 billion views on YouTube .
"Never Gonna Give You Up" is the subject of an Internet meme known as "rickrolling" involving misleading links (commonly shortened URLs) redirecting to the song's music video. [34] Started by users on 4chan , the practice had by May 2007 achieved notoriety on the Internet.
Roblox occasionally hosts real-life and virtual events. They have in the past hosted events such as BloxCon, which was a convention for ordinary players on the platform. [46] Roblox operates annual Easter egg hunts [52] and also hosts an annual event called the "Bloxy Awards", an awards ceremony that also functions as a fundraiser. The 2020 ...
But most notably, it was around the time of his first Foo Fighters collab that Astley’s seventh studio album, 50, which was recorded independently in his garage, became his first U.K. No. 1 ...
"Never Gonna Stop" is a song written and performed by English singer-songwriter Rick Astley. It was released as the second single from his ninth studio album, Are We There Yet?, on 22 August 2023.
Roblox – a sandbox game that has spawned several memes, such as its "oof" sound. QWOP – A browser-based game requiring the player to control a sprint runner by using the Q, W, O, and P keys to control the runner's legs. The game is notoriously difficult to control, typically leaving the runner character flailing about.
"For the Damaged Coda" is a song written and performed by Japanese-Canadian indie rock band Blonde Redhead. It was released on June 6, 2000 via Touch and Go Records as the eleventh and final track on their fifth studio album Melody of Certain Damaged Lemons.
Shitposting is a modern form of online provocation. The term itself appeared around the mid-2000s on image boards such as 4chan.Writing for Polygon, Sam Greszes compared shitposting to Dadaism's "confusing, context-free pieces that, specifically because they were so absurd, were seen as revolutionary works both artistically and politically".