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"Done Too Soon" is a song written, composed and performed by Neil Diamond, and released on his 1970 album Tap Root Manuscript. Listed as track 4 on side one of the album, it was jointly arranged by Marty Paich and Lee Holdridge and jointly produced by Diamond and Tom Catalano .
You Can Play These Songs with Chords is an early (1996–97) demo from the rock band Death Cab for Cutie, which at the time consisted entirely of founder Ben Gibbard. This demo was originally released on cassette by Elsinor Records.
The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
A version by Rick Springfield in 1981 became a top 10 hit in the US. In addition to recorded versions by Hagar and Springfield, the song has been performed and recorded by numerous bands, including Buckcherry. [1] "I've Done Everything for You" was a staple of Sammy Hagar's live performances as early as 1977.
Rising Appalachia based their 2012 song "Occupy" on "Soon I Will Be Done." [ 2 ] It first appeared on their 2012 album, Filthy Dirty South . [ 3 ] A live version appears on their 2017 album, Alive .
"I Die for You Today" is the 22nd single overall from Alphaville, and the first single from Alphaville's 2010 album Catching Rays on Giant. The original lyrics for the song were written by The Outsider, a long-time fan of the band, and published on the band's official mailing list in 2001.
"All the Tired Horses" is a song written by Bob Dylan, released on his 1970 double album Self Portrait. The song is the first track on the album. It is most notable for its absence of Dylan's singing. It consists of a small choir of female voices (Hilda Harris, Albertine Robinson, and Maeretha Stewart) [1] repeating the same two lines