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The First Impressionist Exhibition was an art exhibition held by the Société anonyme des artistes peintres, sculpteurs, graveurs, etc., [a] a group of nineteenth-century artists who had been rejected by the official Paris Salon and pursued their own venue to exhibit their artworks.
The first of these occurred in 1874, after the first independent Impressionist exhibition. The result of a few months spent south-west of London was a series of nearly twenty paintings of the non-tidal Thames at East Molesey and below its Hampton Court Bridge where the south bank becomes Thames Ditton which was later described by art historian ...
Edgar Degas included At the Races in the Countryside at the first Impressionist exhibition at 35 Boulevard des Capucines in 1874. Ernest Chesneau gave the painting a positive review, saying that it was "exquisite in color, drawing, the felicity of the poses, and overall finish." [3] In 1893, Faure sold At the Races in the Countryside back to ...
La Parisienne (English: The Parisian) is an oil painting by the French artist Pierre-Auguste Renoir, completed in 1874 and now displayed at the National Museum Cardiff.The work, which was one of seven presented by Renoir at the First Impressionist Exhibition in 1874, is often referred to as The Blue Lady (French: La Dame en Bleu) and is one of the centre-pieces of the National Museum's art ...
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
The Petit and Durand-Ruel galleries had been the top two firms in Paris dating back to the 1850s. Paul Durand-Ruel was 25 years older than Petit and had become an advocate of the Impressionists as early as 1870. The gallery which Petit opened at 12, Rue Godot de Mauroy in 1881 was a popular alternative exhibition space to the official Salon. [7]
More than 70 years later, the painting resurfaced at a 2016 impressionism exhibition in France. A New Orleans-based antiquities dealer purchased it then sold it to a couple in Washington state.
Germany hosted its first exhibition of the Impressionists in 1883, with the help of Durand-Ruel. [3] With his main focus in the United States in the 1880s, Paul Durand-Ruel's presence in Germany came through the help of the German art critique Emil Heilbut , who purchased and sold many paintings between 1880 and 1896.