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Ragtime, also spelled rag-time or rag time, [2] is a musical style that had its peak from the 1890s to 1910s. [1] Its cardinal trait is its syncopated or "ragged" rhythm . [ 1 ] Ragtime was popularized during the early 20th century by composers such as Scott Joplin , James Scott , and Joseph Lamb .
Classic rag (short for classical ragtime) is the style of ragtime composition pioneered by Scott Joplin and the Missouri school of ragtime composers. These compositions were first considered "classic" by Joplin's publisher, John Stark , as a way to distinguish them from what he considered the "common" rags of other publishers.
Many African Americans enjoyed popular music from the ragtime era. Their sense of style in clothing seemed to reflect this. Whereas the mostly Caucasian American upper class dressed in clean and light-colored fabric (often cream or white), the African Americans dressed in bright and vibrant clothing when they attended clubs that played ragtime ...
The combination of classical music, the musical atmosphere present around Texarkana (including work songs, gospel hymns, spirituals and dance music), and Joplin's natural ability have been cited as contributing to the invention of ragtime: a new style that blended African-American musical styles with European forms and melodies and first became ...
Felix Arndt (1889–1918),"Desecration Rag" (1914), "Nola" (1916), [1] "Operatic Nightmare" (1916); May Aufderheide (1888–1972), "Dusty Rag" (1908) [2]; Roy Bargy ...
When it was published, it was considered significantly more difficult than the average Tin Pan Alley and early ragtime sheet music common at the time. "Gladiolus Rag," a later composition by Joplin, is a developed variant of the "Maple Leaf Rag" showcasing Joplin's increasing musical sophistication, and is usually played at a somewhat slower tempo.
During his career, Joplin wrote over 40 original ragtime pieces, one ragtime ballet, and two operas. One of his first pieces, the " Maple Leaf Rag " (1899), has been recognized as the archetypal rag and influenced subsequent rag composers thanks to its rhythmic patterns, melody lines, and harmony.
"The Entertainer" is subtitled "A Rag Time Two Step", which was a form of dance popular until about 1911, and a style which was common among rags written at the time. Its structure is: Intro–AA–BB–A–CC–Intro2–DD. [2]