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The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity. In the early Church, Christians used the Ichthys (fish) symbol to identify Christian places of worship and Christian homes. [1]
Church pressure to restrain religious imagery affected art from the 1530s and resulted in the decrees of the final session of the Council of Trent in 1563 including short and rather inexplicit passages concerning religious images, which were to have great impact on the development of Catholic art.
Lutheran art consists of all religious art produced for Lutherans and the Lutheran churches.This includes sculpture, painting, and architecture. Artwork in the Lutheran churches arose as a distinct marker of the faith during the Reformation era and attempted to illustrate, supplement and portray in tangible form the teachings of Lutheran theology.
Calvinism even objected to non-religious funerary art, such as the heraldry and effigies beloved of the Renaissance rich. [14] Where there was religious art, iconic images of Christ and scenes from the Passion became less frequent, as did portrayals of the saints and clergy. Narrative scenes from the Bible, especially as book illustrations and ...
Images flourished within the Christian world, but by the 6th century, certain factions arose within the Eastern Church to challenge the use of icons, and in 726-30 they won Imperial support. [citation needed] The Iconoclasts actively destroyed icons in most public places, replacing them with the only religious depiction allowed, the cross.
But large free-standing sculpture, the medium for the most prominent pagan images, continued to be distrusted and largely shunned for some centuries, and virtually up to the present day in the Orthodox world. [1] The oldest Christian sculptures are small reliefs from Roman sarcophagi, dating to the beginning