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Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences. [3] Soukous fuses traditional Congolese rhythms with contemporary instruments.
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The DRC has blended its ethnic musical sources with rumba and merengue to give birth to Soukous. [4] Influential figures of Soukous and its offshoots (N'dombolo, Rumba Rock) are Franco Luambo, Tabu Ley, Simaro Lutumba, Papa Wemba, Koffi Olomide, Kanda Bongo Man, Ray Lema, Mpongo Love, Abeti Masikini, Reddy Amisi, Pepe Kalle, and Nyoka Longo ...
Rhumba, also known as ballroom rumba, is a genre of ballroom music and dance that appeared in the East Coast of the United States during the 1930s. It combined American big band music with Afro-Cuban rhythms, primarily the son cubano, but also conga and rumba. Although taking its name from the latter, ballroom rumba differs completely from ...
[50] [51] He has characterized his music as "techno-soukouss", signifying a new variation of soukous that integrates elements of techno music into ndombolo, sometimes fused with electro, dance music, or Afro zouk. [52] In 1998, Longomba released his second studio album, titled Coupé Bibamba.