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Headquartered at 55 Water Street in Lower Manhattan, New York City, [1] it is a multi-billion-dollar organization with over 3 million members. [2] EmblemHealth was created in 2006 through the merger of Group Health Incorporated (GHI) and the Health Insurance Plan of Greater New York (HIP). GHI and HIP had been operating as separate companies in ...
Kathryn Elizabeth Morgan (born August 17, 1988) [citation needed] is an American ballet dancer. She joined New York City Ballet in 2006 and was promoted to the rank of soloist in 2009. Morgan left New York City Ballet in 2012 due to health complications related to her suffering from Hashimoto's thyroiditis.
Born in Fairfield, Connecticut, Finlay began his dance training at the age of 8, at Ballet Academy East in New York City. During the summer of 2007, he began studying at the School of American Ballet, the official school of New York City Ballet (NYCB). He subsequently enrolled there as a full-time student. [2]
Justin Peck (born September 8, 1987) is an American choreographer, director, and dancer associated with New York City Ballet, of which he was appointed Resident Choreographer in July 2014, being the second person in the history of the institution to hold this title. [1]
Outside of the New York City Ballet, in 2021, he appeared in Twyla Tharp's Twyla Now program at the New York City Center, dancing in Cornbread and All In. [16] In 2022, he appeared in Tiler Peck's program at the City Center, dancing in King's Swift Arrow and Forsythe's The Barre Project (Blake Works II). [17]
Raf Simons and Alejandro Gómez Palomo join a long and illustrious list of designer collaborators for New York City Ballet’s 10th anniversary celebration
Touro College of Osteopathic Medicine opened in 2007 in Harlem, New York. It was the first medical school to open in New York State in nearly 30 years and is the first osteopathic medical school with a special emphasis on training minority doctors. [8] The college's inaugural class graduated in 2011. [7]
The Diamond Project was inaugurated May 27, 1992, at New York City Ballet with funding from the Irene Diamond Fund. It has presented — every two to four years — work by new choreographers. It has presented — every two to four years — work by new choreographers.