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Time's Arrow: or The Nature of the Offence (1991) is a novel by Martin Amis.It was shortlisted for the Booker Prize in 1991. It is notable partly because the events occur in a reverse chronology, with time passing in reverse and the main character becoming younger and younger during the novel.
Amis's 2014 novel The Zone of Interest concerns the Holocaust, his second work of fiction to tackle the subject after Time's Arrow. [ 90 ] [ 91 ] In it, Amis endeavoured to imagine the social and domestic lives of the Nazi officers who ran the death camps, and the effect their indifference to human suffering had on their general psychology.
"Time's Arrow" (short story), a 1950 short story by Arthur C. Clarke; Time's Arrow, a 1991 novel by Martin Amis "Time's Arrow" (Star Trek: The Next Generation), a 1992 two-part episode of Star Trek: The Next Generation; Time's Arrow, a 2011 release by the American artist Prurient "Time's Arrow", a 2012 orchestral work by English composer ...
Martin Amis was a leading voice among a generation of writers that included his good friend, the late Christopher Hitchens, Ian McEwan and Salman Rushdie. British novelist Martin Amis, who brought ...
Martin Amis, one of the most consequential British authors of his generation and who died last month, has been knighted by King Charles III in his first birthday honors list, which were unveiled ...
The film is a loose adaptation of the 2014 novel by Martin Amis, and when Amis died last year, ... In one sense he had been working through its theme since Time’s Arrow, where the Holocaust ...
Martin Amis: Time's Arrow: Jonathan Cape Roddy Doyle: The Van: Secker & Warburg Rohinton Mistry: Such a Long Journey: Faber & Faber Timothy Mo: The Redundancy of Courage: Chatto & Windus William Trevor: Reading Turgenev [4] Viking 1992 Winners Michael Ondaatje: The English Patient: Bloomsbury Victoria Glendinning (chair) John Coldstream ...
Amis's first novel received mixed critical reception. [6] While he was praised by some critics for his "ruthlessly brilliant comedy", [7] he was also taken to task for failing to sufficiently animate any of the other characters besides Charles, making the book merely "an easy-reading, mildly funny series of bed-and-bathroom observations."