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Concerto for Piano and Orchestra, No. 3 in A major; Concerto for Piano and Orchestra, No. 4 in G minor; Concerto for Piano and Orchestra, No. 5 in D major; Concerto for Piano and Orchestra, No. 6 in B-flat major; Concerto for Piano and Orchestra, No. 7 in A major; Concerto for Piano and Orchestra, No. 8 in C major; Selim Palmgren
When music students and music competition auditionees play piano concertos, the orchestra part may be performed in an orchestral reduction, a conversion of the orchestra parts into a part for an accompanist playing piano or pipe organ, as it is very expensive to hire a full orchestra.
Fantasy for piano and orchestra on twelve notes from "non si pasce di cibo mortale chi si pasce di cibo celeste" from the second act of Mozart's Don Giovanni; Concerto soiree for piano and orchestra; Concerto in E minor for piano and orchestra (piccolo mondo antico) Concerto in C major for piano and orchestra; Albert Roussel. Concerto in C, Op ...
(orchestration: 2 flutes (2nd = piccolo), oboe, English horn, clarinet, bass clarinet, bassoon, 2 trumpets, 3 trombones, harp, celesta, strings and solo piano) Stravinsky breaks the orchestra down into chamber-sized sections with the piano acting as a pivot between these, creating the type of subtle and gestural textures favored by Webern in ...
However, it has also been argued that the orchestra is represented in the work by means of bitonal relationships. [1] The Slovak composer Ján Zimmer wrote, in addition to seven concertos for piano and orchestra, a Concerto for Piano without orchestra, op. 23 (1955/1956). The piano concertos nos. 4 and 6 of Michael Finnissy are pieces for solo ...
piano and orchestra 1958–62 written as an homage to Debussy; ms in piano score, complete but without orchestration, ms discarded and music rewritten as Sept haïkaï after the composer's visit to Japan; ms reconstructed and edited as a solo piano piece as Fauvettes de l'Hérault – Concert des garrigues
In connection with a keyboard part in the baroque period, obbligato has a very specific meaning: it describes a functional change from a basso continuo part (in which the player decided how to fill in the harmonies unobtrusively) to a fully written part of equal importance to the main melody part.
A rehearsal letter, sometimes referred to as rehearsal marks, [1] [2] rehearsal figures, [3] or rehearsal numbers, is a boldface letter of the alphabet in an orchestral score, and its corresponding parts, that provides the conductor, who typically leads rehearsals, with a convenient spot to tell the orchestra to begin at places other than the start of movements or pieces.