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Guillermo Anderson was born in La Ceiba, Atlántida, Honduras, February 26, 1962, to Jorge Guillermo Anderson Sarmiento and Ida Avilés Sevilla.Guillermo Anderson grew up exposed to the mixture of Garifuna, North American, British, and Caribbean cultures characteristic to the Northern coast of Honduras, which later provided the basis for his artistic style. [1]
"Cariño" is a heavily influenced bilingual Latin pop song [8] [9] which runs for a duration of four minutes and fifteen seconds (4:15). [10] It was produced by Jose Sanchez, Guillermo Edghill Jr., Frank Rodriguez and Cory Rooney.
"Pedro Navaja" (English: Peter Blade) is a salsa song written and performed by Rubén Blades from the 1978 collaboration with Willie Colón, Siembra, about a criminal of the same name. [1] Navaja means "folding knife" in Spanish. Inspired by the song "Mack the Knife", [2] it tells the story of a panderer's life and presumed death.
Music journalists and musicologists define Latin music as musical styles from Spanish-speaking areas of Latin America and from Spain. [10] [11] Music from Brazil is usually included in the genre and music from Portugal is occasionally included. [8] [12] Either definition of "Latin music" may be used for inclusion in this list.
Through the albums, he became an international star of Spanish-language comedy before settling in Miami. An icon of the Cuban exile community, Alvarez Guedes became known throughout Latin America through his recordings of stand-up comedy, where he told jokes in an unmistakable Spanish filled with Cuban idioms that seemed to flow naturally from ...
"Ven, devórame otra vez (English: Come, Devour Me Again) is the lead single from Lalo Rodríguez's album, Un nuevo despertar. The song with lyrics by Dominican songwriter Palmer Hernández is noted for its sexual content at the time of the salsa romantica era.
Guillermo (Spanish pronunciation: [ɡiˈʎeɾmo]) is the Spanish form of the male given name William. The name is also commonly shortened to 'Guille' or, in Latin America, to nickname 'Memo'. The name is also commonly shortened to 'Guille' or, in Latin America, to nickname 'Memo'.
It is a salsa track in which the singer is searching for unconditional love. Santa Rosa would later record a ballad version. An accompanying music video features the singer in a dark room surrounded by female musicians. Both versions of the song received airplay on Latin radio stations.