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The vesica piscis was a leitmotif of architect Carlo Scarpa and is used as a "viewing device" in Tomba Brion (Brion Cemetery) in San Vito d'Altivole, Italy. [11] Several other artworks or designs have also featured this shape: The cover of the Chalice Well in Glastonbury (United Kingdom) depicts a stylized version of the vesica piscis design.
Example of two asymmetric lenses (left and right) and one symmetric lens (in the middle) The Vesica piscis is the intersection of two disks with the same radius, R, and with the distance between centers also equal to R. If the two arcs of a lens have equal radius, it is called a symmetric lens, otherwise is an asymmetric lens.
The center lens of the 2-circle figure is called a vesica piscis, from Euclid. Two circles are also called Villarceau circles as a plane intersection of a torus. The areas inside one circle and outside the other circle is called a lune. The 3-circle figure resembles a depiction of Borromean rings and is used in 3-set theory Venn diagrams.
The number 153 is associated with the geometric shape known as the Vesica piscis or Mandorla. Archimedes , in his Measurement of a Circle , referred to this ratio (153/265), as constituting the "measure of the fish", this ratio being an imperfect representation of 1 / 3 ≈ 0.57735 {\displaystyle 1/{\sqrt {3}}\approx 0.57735} .
A geometrical hexafoil. The hexafoil is a design with six-fold dihedral symmetry composed from six vesica piscis lenses arranged radially around a central point, often shown enclosed in a circumference of another six lenses.
The two interlocking circles constitute the symbol known as the Vesica Piscis. In the well lid design, a spear or a sword bisects these two circles, a possible reference to Excalibur, the sword of the legendary King Arthur, believed by some to be buried at the nearby Glastonbury Abbey. Foliage represents the Glastonbury Thorn. Bligh Bond wrote ...
A form of the Triquetra symbol which has the exact geometrical proportions to be composed of three overlapping Vesica piscis symbols — something which is important to a few authors of books on Christian symbolism. (Ribbons version.)
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