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The geek shows were often used as openers for what are commonly known as freak shows. It was a matter of pride among circus and carnival professionals not to have traveled with a troupe that included geeks. Geeks were often alcoholics or drug addicts, and paid with liquor – especially during Prohibition – or with narcotics. In modern usage ...
Stan finds a new carnival and learns that his old carnival went out of business. Stan desperately pitches his mentalist act to the new owner, who rejects it based on Stan's appearance and the act being out of fashion. The owner then offers him a drink and "temporary" work as a geek. Stan accepts, breaking out laughing before bursting into tears.
The stripper clothes of Rita Sue and Libby were influenced by Mae West, harlot movies and silent films of the 1920s and 1930s, with additional research put into Asian harlots, Latin dancers and Hawaiian dancers. The costume designers chose the costumes of the Daily Brothers Show, a rival carnival, to have a new color tone to set them apart from ...
Nightmare Alley is a 1947 American film noir directed by Edmund Goulding from a screenplay by Jules Furthman. [2] Based on William Lindsay Gresham's 1946 novel of the same name, it stars Tyrone Power, with Joan Blondell, Coleen Gray, and Helen Walker in supporting roles.
The impact of the Jim Rose Circus on pop culture inspired a new wave of performers. There are now more sideshow performers than at any other time in the genre's history. At the same time in Canada, Scott McClelland, grandson of itinerant showman N.P. Lewchuk, formed Carnival Diablo, a show that performs frequently to this day. The success of ...
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The carnival sets up in Babylon, and Samson invites the carnies for a party in the ghost town. After drinking too much, Ben wakes up in an abandoned mineshaft and finds AVATAR written on the walls. Sofie, the carnival's Tarot reader, hears Scudder's name from her catatonic mother, and the carnival night ends with a tragic death. Brother Justin ...
Exploitation films may adopt the subject matter and styling of regular film genres, particularly horror films and documentary films, and their themes are sometimes influenced by other so-called exploitative media, such as pulp magazines. They often blur the distinctions between genres by containing elements of two or more genres at a time.