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A traditional Japanese oil-paper umbrella or parasol, these umbrellas as typically crafted from one length of bamboo split finely into spokes. See also Gifu umbrellas. Kimono Traditional square-cut wrap-around garment. Kimono slip (着物スリップ, kimono surippu) A one-piece undergarment combining the hadajuban and the susoyoke. [2]: 76 [4]
[12]: 137 For men, under-kimono often featured highly-decorative and often heavily pictorial scenes that would then be covered entirely by the outer kimono, which was typically very plain or designed with a simple and subtle pattern. Example of men's under-kimono within the collection display depictions of performers, dancers and haiku poems ...
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
A tasuki (襷/たすき) is a fashion accessory used for holding up the long sleeves of the Japanese kimono. It is a sash made from either cloth or cord that loops over each shoulder and crosses over the wearer's back. The bottom of the kimono sleeves can then be tucked into the loop, holding them back for convenience and functionality.
For less formal kimono, the pattern is drawn and applied to the fabric before it is cut and constructed, as the design is not intended to match up over the seams, or the kimono will have a solid colour. [3] Tsukesage kimono use a non-reversible pattern laid out with respect to where the cuts will fall, but no seam-crossing patterns.
Katagami depicting flying bats (1780–1830): mulberry paper, lacquer made from persimmon juice, and human hair Katagami depicting geometric ornament (1900s) Ise katagami (伊勢型紙) is the Japanese craft of making paper stencils for dyeing textiles (katagami (型紙)). It is designated one of the Important Intangible Cultural Properties of ...