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The Fanti Osibisaaba pioneered Africanised cross-fingering guitar techniques which developed to be Ghanaian Highlife, Maringa of Sierra Leone, the Juju music of western Nigeria and "dry" music of Central Africa. [1] Later in 1930, in rural Ghana,there was a fusion with traditional Akan "seprewa" or harp-lute.
Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. [2] [3] Highlife gained popularity and the genre spread throughout West African regions.
In the 1930s, Sam's Trio, led by Jacob Sam (Kwame Asare), was the most influential of the high-life guitar-bands. Their "Yaa Amponsah", three versions of which were recorded in 1928 for Zonophone, was a major hit that remains a popular staple of numerous high-life bands. The next major guitar-band leader was E. K. Nyame, who sang in Twi.
Emmanuel Kofi Nyame, best known as E.K. Nyame (24 December 1927 [1] – 19 January 1977), [2] was regarded as one of the "godfathers" of modern Ghanaian highlife music. [3] [4] He was a Ghanaian composer, guitarist, founder of E.K. band and the Akan Trio. [1] He is noted as the pioneer of highlife songs in Akan language on concert stages. [5]
He was taught guitar by a Liberian seaman. He is known to be the first Ghanaian to record highlife music in Ghana known as "Yaa Amponsah". In 1928, on Zonophone in London's Kingsway Hall EZ series, he recorded guitar-band highlife classic music with his melodic and finger-style guitar picking. He was accompanied by the Kumasi Trio, featuring ...
Afrobeat was influenced by a combination of different genres, such as highlife, fuji, and jùjú, [17] as well as Yoruba vocal traditions, rhythm, and instruments. [18] In the late 1950s, Kuti left Lagos to study abroad at the London School of Music, where he took lessons in piano [19] and percussion [20] and was exposed to jazz.