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The playing of conventional chords is simplified by open tunings, which are especially popular in folk, blues guitar and non-Spanish classical guitar (such as English and Russian guitar). For example, the typical twelve-bar blues uses only three chords , each of which can be played (in every open tuning) by fretting six strings with one finger.
"Viva la Quinta Brigada" is a Christy Moore song about the Irishmen who fought in the Spanish Civil War against Franco. The title was changed to " Viva la Quince Brigada " in some later recordings. The song is about the Irish socialist volunteers , who were a small contingent within the 15th International Brigade , and who in later years became ...
During the Spanish Civil War, in common with many older folk songs, the melody was reused with new lyrics by the Republican side, in various versions (El Ejército del Ebro, El paso del Ebro, ¡Ay, Carmela!, ¡Ay, Manuela!, Rumba la Rumba, and Viva la XV Brigada). A less well-known version was also coined by Nationalists (El Rîo del Nervión).
Flamenco mode Play ⓘ.. In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing the pitches and chords used together in flamenco songs and pieces.
"Spanish Guitar" is a song by American singer Toni Braxton from her third studio album, The Heat (2000). It was released on September 11, 2000, as the album's third single by LaFace Records and Arista Records .
"Johnny Guitar" is a song written by Peggy Lee (lyrics) and Victor Young (music) and was the title track of the 1954 film of the same name, directed by Nicholas Ray and starring Joan Crawford. The music loosely echoes several themes from Spanish Dance No. 5: Andaluza by Enrique Granados , which was written for piano, but is often played on ...
Cucurrucucú paloma" (Spanish for Coo-coo dove) is a Mexican huapango-style song written by Tomás Méndez in 1954. [1] The title is an onomatopeic reference to the characteristic call of the mourning dove, which is evoked in the refrain. The lyrics allude to love sickness.
The Spanish lyrics use the image of a migrating swallow to evoke sentiments of longing for the homeland. It became the signature song of the exiled Mexicans. The song was recorded in 1906 [2] by Señor Francisco. [3] [4] A guitar instrumental was recorded by Chet Atkins in 1955. The song has also been recorded by Caterina Valente (1959) Nat ...