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Figurative palanquin; drawing by Ataa Oko from Ghana. Among Christians, the use of custom coffins is relatively recent and began in the Greater Accra Region around 1950. They were formerly used only by Ga chiefs and priests, but since around 1960, figurative coffins have become an integral part of the local funeral culture. [4]
Paa Joe with a sandal coffin in collaboration with Regula Tschumi for the Kunstmuseum Berne 2006. Paa Joe was born in 1947 at Akwapim in the Eastern Region of Ghana. Joe began his career with a twelve-year apprenticeship as a coffin artist in the workshop of Kane Kwei (1924–1992) in Teshie. [8]
A display of coffins in the office of a funeral director in Poland A casket showroom in Billings, Montana, depicting split lid coffins. A coffin is a funerary box used for viewing or keeping a corpse, for either burial or cremation. Coffins are sometimes referred to as caskets, particularly in American English.
While some figurative coffins were acquired in the 1970s by American gallery owners (Vivian Burns in 1973 and Ernie Wolfe, both from Los Angeles), it is since 1989 that these objects achieved international recognition as works of art, through their successive display in exhibitions: Magiciens de la terre (1989, Musée National d'Art Moderne ...
Kudjoe Affutu (born 1985) is a Ghanaian artist and figurative coffin and palanquin builder. He was born and still lives in Awutu Bawyiase , Central Region , Ghana. Affutu has made a name for himself in Europe by participating in various art projects and exhibitions.
In 2006 she published a standard work on the figurative coffins of the Ga people. [2] In this book she traces the origins of these coffins in the art and religion of the Ga, and questions the history of their evolution. In the course of this research Regula Tschumi discovered the coffin-artist and art brut painter Ataa Oko, born 1919, from La ...
A particular feature in Poland was the coffin portrait, a bust-length painted portrait of the deceased, attached to the coffin, but removed before burial and often then hung in the church. Elsewhere, death masks were used in similar fashion.
Theophilus Nii Anum Sowah (born 1968) is a Ghanaian figurative palanquin and fantasy coffin artist. [1] Nii Anum was the chief apprentice in the Kane Kwei Carpentry Workshop where he worked ahead of other artists like Paa Joe. [2] Ever since Kane Kwei's death in 1992, Nii Anum has run his own workshop based in Accra.