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Charcoal and coloured pencils are also used in hand-colouring of photographs and the terms crayon, pastel, charcoal, and pencil were often used interchangeably by colourists. Hand-coloured photographs sometimes include the combined use of dyes, water-colours, oils, and other pigments to create varying effects on the printed image.
From its inception in 1839, photographers had been using pigments to hand colour photographs. [1] The most common method used was the addition of colour to the finished daguerreotype, ambrotype or print. But by the 1850s there were two well-established processes based on using photographs as the base layer over which pigments were applied.
Tinted photograph is a photograph produced on dyed printing papers produced by commercial manufacturers or a hand-colored photograph. A single overall colour underlies the images printed on dyed photographic papers and is most apparent in the highlights and mid-tones.
The shortcomings of the Autochrome process were the expense (one plate cost about as much as a dozen black-and-white plates of the same size), the relatively long exposure times which made hand-held "snapshots" and photographs of moving subjects impractical, and the density of the finished image due to the presence of the light-absorbing color ...
Language of flowers – cryptological communication through the use or arrangement of flowers; Hanakotoba, also known as 花言葉 – Japanese form of the language of flowers; List of national flowers – flowers that represent specific geographic areas
In hand-coloring, the entire photographic image can be seen through a translucent color film, with no image details obscured by the color medium. But in hand-painting, opaque colors are applied to black and white photographs, to cover or alter portions of the photographic image. The same paint, sometimes in a deeper color, was also used to ...
Many photographers record images of the texture in a stone, tree bark, leaf, or any of other small scenes. Many of these images are abstract. [14] Tiny plants and mushrooms are also popular subjects. Close-up nature photography doesn't always need a true macro lens; however, the scenes here are small enough that they are generally considered ...
Ap-41 process (pre-1978 Agfa color slides; 1978-1983 was a transition period when Agfa slowly changed their color slide films from AP-41 to E6) Anthotype; Autochrome Lumière, 1903; Carbon print, 1862; Chromogenic positive E-3 process; E-4 process; E-6 process; Chromogenic negative C-41 process; RA-4 process; Dufaycolor; Dye destruction ...