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These included "Ziptop Cooper Black" from Photo Lettering Inc., a version with the top bolder than the bottom, and other distorted variants. [18] Many digitisations of Cooper Black exist from companies including Bitstream, Adobe and others. [11] Soap, designed by Ray Larabie of Typodermic, is a uni-case variant. [19]
Chicago was initially a bitmap font; as the Apple OS’s capabilities improved, Apple commissioned the type foundry Bigelow & Holmes to create a vector-based TrueType version. [1] The typeface is named after the U.S. city of Chicago, following the theme of original Macintosh fonts being named after major world cities.
Custom font for the 1995 rebranding, designed by the Foundry (Freda Sack and David Quay) Metron: Prague Metro: Created in 1973 by Jiří Rathouský: Moscow Sans: Public transport and wayfinding in Moscow since 2015: Custom font family by Scott Williams and Henrik Kubel (A2-TYPE) in collaboration with Ilya Ruderman (CSTM Fonts) Motorway
Cooper Hilite, an inline variant of Cooper Black. Cooper Black series (1922, BB&S later ATF). Called by designer as a font "for far-sighted printers with near-sighted customers," [12] it was hated by conservative typographers, but was popular among graphic designers, to the point that the foundry had problems making enough fonts. It became one ...
Letters formed by sharp, straight, angular lines, unlike the typically round Carolingian; as a result, there is a high degree of "breaking", i.e. lines that do not necessarily connect with each other, especially in curved letters. Ascenders (in letters such as b , d , h ) are vertical and often end in sharp finials.
Font Bureau Agency is a geometric sans-serif typeface family intended for titles and headings, released between 1990 and 1995. [ 1 ] [ 2 ] It was designed by David Berlow of Font Bureau . It is an expansion of a capitals-only titling face created in the 1930s by Morris Fuller Benton , adding lower-case characters and a wider range of widths and ...
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Example of black letter emphasis using the technique of changing fonts. In typography, emphasis is the strengthening of words in a text with a font in a different style from the rest of the text, to highlight them. [1] It is the equivalent of prosody stress in speech.