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Michelangelo was a prolific draftsman, as he was trained in a Florentine workshop at a dynamic time in the art scene, when paper had become readily available in sufficient quantity. [25] As follows, sketching was the first step in Michelangelo's artistic process, as it helped him plan his final paintings and sculptural pieces.
Paul Joannides, an eminent scholar of Michelangelo's drawings, saw the bronzes in 2002 and was struck by their Michelangelesque qualities. [6] Seeing the bronzes again in 2012, Joannides linked the sculptures to a drawing of a youth astride a leonine animal in the Musée Fabre in Montpellier, a plausible copy of a lost work by Michelangelo.
The Art and Thought of Michelangelo. 5 vols. New York: Pantheon Books. Wallace, William E. (2011). Michelangelo: The Artist, the Man and his Times. Cambridge University Press. ISBN 978-1-107-67369-4. Wallace, William E. (2019). Michelangelo, God's Architect: The Story of His Final Years and Greatest Masterpiece.
Kimbell Art Museum, purchased from Sotheby's auction, Catalogue of Old Masters sale (Lot No. 69), 9 July 2008 by Adam Williams Fine Art, New York, as "Workshop of Domenico Ghirlandaio". Subsequently purchased by the Kimbell Art Museum, Fort Worth, Texas and attributed to Michelangelo. [10] [11] Madonna and Child with Saint John and Angels
M. Hirst, Michelangelo and His Drawings (New Haven and London: Yale University Press, 1988) M. Royalton-Kisch, H. Chapman and S. Coppel, Old Master Drawings from the Museum, exhibition catalogue (London, The British Museum Press, 1996) J. Wilde, Italian drawings in the Department of Prints and Drawings, 2 (London, The British Museum Press, 1953)
STORY: The work had been designated a French national treasure, which barred it from being exported from the country for 30 months. But the French government recently removed the designation ...
His studies of the Florentine master have shaped a generation of art historians and constitute a point of reference for Renaissance art history in general. His book on Michelangelo’s drawings is widely considered to be the most perceptive study on the subject thus far. Hirst’s monograph on Sebastiano del Piombo is also fundamental in the field.
Some authorities believe that it may have been executed by one of Michelangelo's pupils from a drawing by the master or was a direct imitation of his work. [ 3 ] According to documents discovered in 1981, [ 4 ] Michelangelo had been commissioned in 1500 to paint a panel for the funerary chapel at the church of Sant'Agostino in Rome , but in the ...