Ad
related to: persian jazz from the 1930s
Search results
Results From The WOW.Com Content Network
Rana Farhan, an Iranian jazz and blues singer living in New York, [7] combines classical Persian poetry with modern jazz and blues. [8] She has established a model to the jazz fusion project that she continues to incorporate in her work. Her best-known work, Drunk With Love, is based on a poem by prominent 13th-century Persian poet Rumi. [7]
6 Jazz. 7 Blues. 8 Film composers. 9 See also. 10 References. Toggle the table of contents. ... This is a list of Iranian musicians and musical groups. Classical ...
Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution.
Lloyd Miller (1938 – December 27, 2024) was an American jazz musician who researched Persian music and Afghan music. He played multiple instruments across numerous jazz, ethnic, and world music traditions. Miller was a scholar of Persian music.
Indigenous Iranian elements, such as classical musical forms and poetry, have also been incorporated into Iranian jazz. [35] Rana Farhan, an Iranian jazz and blues singer living in New York, [36] combines classical Persian poetry with modern jazz and blues. [37] Her best-known work, Drunk With Love, is based on a poem by prominent 13th-century ...
The term "jazz-rock" (or "jazz/rock") is often used as a synonym for the term "jazz fusion". 1960s -> Jump blues: 1930s -> Kansas City jazz: Kansas City jazz is a style of jazz that developed in Kansas City, Missouri and the surrounding Kansas City Metropolitan Area during the 1930s 1930s -> Latin jazz: Draws heavily on salsa and merengue ...
In the 1930s, Kansas City Jazz as exemplified by tenor saxophonist Lester Young marked the transition from big bands to the bebop influence of the 1940s. An early 1940s style known as "jumping the blues" or jump blues used small combos, uptempo music and blues chord progressions, drawing on boogie-woogie from the 1930s.
It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music. Duke Ellington and his band members composed numerous swing era hits that have become standards: "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933) and "Caravan" (1936), among others.