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Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. [ 1 ] [ 2 ] According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson , create a parallel , or perform another didactic ...
Nan Watson (1876–1966) was an American artist known for the flower paintings, portraits, and still lifes she made during the 1920s and 1930s. Showing frequently in group and solo exhibitions, she received praise for both the aesthetic and technical qualities of her work.
In the jiyūka (自由花, ' free flowers ') [27] style, creative design of flower arranging is emphasised, with any material permissible for use, including non-flower materials. In the 20th century, with the advent of modernism , the three schools of ikebana partially gave way to what is commonly known in Japan as "Free Style".
Almond Blossoms is a group of several paintings made in 1888 and 1890 by Vincent van Gogh in Arles and Saint-Rémy, southern France of blossoming almond trees. Flowering trees were special to van Gogh.
Jean-Baptiste Monnoyer [1] (12 January 1636 – 20 February 1699) was a Franco-Flemish painter who specialised in flower pieces. He was attached to the Gobelins tapestry workshops and the Beauvais tapestry workshops, too, where he produced cartoons of fruit and flowers for the tapestry-weavers, and at Beauvais was one of three painters [2] who collaborated to produce cartoons for the suite The ...
The term derives from ros, applied decoration or embellishment, decorative, decorated [rosut, rosute, rosete, rosa] and å male, to paint.The first element can also be interpreted as a reference to the rose flower, but the floral elements are often so stylized that no specific flower is identifiable, and are absent in some designs.
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. [3] It is prevalent in many forms of Japanese art. [4] [5] Wabi-sabi is a composite of two interrelated aesthetic concepts, wabi and sabi .