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File:Phrases and names, their origins and meanings (IA cu31924026610836).pdf. Add languages. Page contents not supported in other languages. File; Talk; English ...
The Five Mystical Songs are a musical composition by English composer Ralph Vaughan Williams (1872–1958), written between 1906 and 1911. [1] The work sets four poems ("Easter" divided into two parts) by seventeenth-century Welsh poet and Anglican priest George Herbert (1593–1633), from his 1633 collection The Temple: Sacred Poems.
The Poisoned Kiss, or The Empress and the Necromancer is an opera in three acts by the English composer Ralph Vaughan Williams. The libretto , by Evelyn Sharp , is based on Richard Garnett 's The Poison Maid and Nathaniel Hawthorne 's 1844 short story Rappaccini's Daughter .
Folk Songs of the Four Seasons is a cantata for women's voices with orchestra or piano by English composer Ralph Vaughan Williams written in 1949. [1] Based on English folk songs, some of which he had collected himself in the early 20th century, the work was commissioned by the Women's Institute for a Singing Festival held at the Royal Albert Hall on 15 June 1950.
On Wenlock Edge is a song cycle composed in 1909 by Ralph Vaughan Williams for tenor, piano and string quartet. [1] The cycle comprises settings of six poems from A. E. Housman's 1896 collection A Shropshire Lad. A typical performance lasts around 22 minutes. [2]
Hugh the Drover (or Love in the Stocks) is an opera in two acts by Ralph Vaughan Williams to an original English libretto by Harold Child. The work has set numbers with recitatives . It has been described as a modern example of a ballad opera . [ 1 ]
Vaughan Williams had collaborated with Percy Dearmer on the production of the English Hymnal, which was published in 1906, and as with this hymnal, The Oxford Book of Carols favoured traditional folk tunes and polyphonic arrangements of carols, instead of the Victorian hymn tunes that Vaughan Williams considered to be over-sentimental and ...
Sancta Civitas (The Holy City) is an oratorio by Ralph Vaughan Williams. Written between 1923 and 1925, it was his first major work since the Mass in G minor two years previously. Vaughan Williams began working on the piece from a rented furnished house in the village of Danbury, Essex, found for him by his former pupil, Cecil Armstrong Gibbs. [1]