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In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. [1] The use of appropriation has played a significant role in the history of the arts ( literary , visual , musical and performing arts ).
In the latter decades of the 20th century, pop artists like Andy Warhol and Robert Rauschenberg reacted to consumer culture and the increasing amount of mass-produced imagery in the media, particularly advertising, by using those images in their own art, sometimes as their own, a practice termed "appropriation art". In two instances this led to ...
Cultural appropriation is considered harmful by various groups and individuals, [16] including some indigenous people working for cultural preservation, [17] [18] those who advocate for collective intellectual property rights of the originating cultures, [19] [20] [21] and some of those who have lived or are living under colonial rule.
Cultural appropriation is more specific than simply dabbling in customs that originate somewhere else. It happens when people from a dominant culture (e.g., White people) exploit artifacts ...
The scholar of postcolonial studies Rumya S. Putcha states that the term "cultural appropriation" in itself "is a way of diluting the fact that we're talking about racism and European colonialism." [ 20 ] In her view, the effect is conveniently to divert attention to how one can "show cultural appreciation appropriately", when the real issue is ...
Mexico’s secretary of culture believes the dangers of cultural appropriation and fashion’s troubled relationship with it can be turned into “opportunities for cooperation,” but only if the ...
While a dominating force throughout most of its history, China has largely looked kindly on how the world interprets its culture. Whether it’s drawing on the feminine body-hugging qipao dress ...
In the art business, the artistic value of a well-executed forgery is irrelevant to a curator concerned with the authenticity of provenance of the original work of art [20] — especially because formally establishing the provenance of a work of art is a question of possibility and probability, rarely of certainty, unless the artist vouches for ...