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Into the Woods is the soundtrack album to the 2014 Walt Disney Pictures musical fantasy film of the same name.The album features music written and composed by Stephen Sondheim, and featuring vocals from the film's ensemble cast including Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Johnny Depp, Daniel Huttlestone, Lilla Crawford, MacKenzie Mauzy, Tracey Ullman, Christine ...
Adam Chitwood of Collider ranked "Lost in the Woods" the best song from Frozen II, calling it "quite possibly the best moment in all of Frozen II" and arguably superior to "Let it Go". [113] Evoke.ie ranked "Lost in the Woods" the best song on Frozen II's soundtrack, with writer Olivia Fahy calling it a "standout moment" and "proper bop". [114]
Into the Woods is a 1986 musical with music and lyrics by Stephen Sondheim and book by James Lapine. The musical intertwines the plots of several Brothers Grimm fairy tales , exploring the consequences of the characters' wishes and quests.
The song from 1929 is so upbeat and saccharine it can easily sound creepy when performed in a certain way. Paley's rendition of the tune sounded more operatic than the original.
The song was recorded by The Clancy Brothers as "Wella Wallia" on Recorded Live in Ireland (1965), [8] and as "Weila Waile" by The Dubliners on their 1967 album A Drop of the Hard Stuff. [9] It was a popular part of the Dubliners' repertoire for decades, appearing on several of their live albums, and was sung at the funeral of Ronnie Drew in ...
Chris Bay described the song as a "magnificent double duet" in his essay A Look Behind Into the Woods. [17] In Don Whittaker and Missy Wigley's essay Once Upon a Time to...Happily Ever After , cited the song's universal theme that permeates throughout Sondheim's work, from Bobby in Company to George in Sunday In The Park With George to Fosca in ...
In the video titled “The Creepy Scientology Song We Would Sing As Kids,” Jenna, who was born and raised in Scientology before leaving the organization at 21 years old, revealed that as a child ...
Bill Janovitz comments that it describes Russell's "surrealistic journey out in the woods of his newfound fame", veering between "ambivalence and outright rejection of that celebrity." He added: "At times, the album sounds like a demented circus stranded in a gnarled swamp. But it's mostly a collection of sedate and reflective songs."