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France moderne remained the French royal standard, and with a white background was the French national flag until the French Revolution, when it was replaced by the tricolor of modern-day France. The fleur-de-lis was restored to the French flag in 1814, but replaced once again after the revolution against Charles X in 1830.
The Concours des villes et villages fleuris (English: 'Competition of cities and villages in bloom') is an annual French contest. It aims to encourage communes to adopt and implement policies improving the quality of life of their inhabitants and enhancing their attractiveness to visitors through the provision and maintenance of green spaces ...
The work consisted of 36 parts, each containing four pictures of flowers, flowering trees or fruits. [3] Redouté worked for half a century as an art teacher of French queens and princesses. He dedicated the book of beautiful flowers and fruits to his pupils Louise and Princess Marie of Orléans. [4]
à la short for (ellipsis of) à la manière de; in the manner of/in the style of [1]à la carte lit. "on the card, i.e. menu"; In restaurants it refers to ordering individual dishes "à la carte" rather than a fixed-price meal "menu".
Plumeria alba is the national flower of Laos, where it is known under the local name champa or dok champa. In Bengali culture, most white flowers, and in particular, plumeria (Bengali, chômpa or chãpa), are associated with funerals and death. Indian incenses scented with Plumeria rubra have "champa" in their names.
The stems are leafy, ranging in height from as low as 30 centimetres (12 inches) to more than 1.8–2.4 metres (6–8 feet). Flower forms are variable, with one head per stem; these can be as small as 5 cm (2 in) in diameter or up to 30 cm (1 ft) ("dinner plate"). The majority of species do not produce scented flowers.
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The Bunch of Flowers (1891) by Paul Gauguin. The Bunch of Flowers or Flowers of France (French: Le bouquet de fleurs [lə bukɛ d(ə) flœʁ]; Tahitian: Te tiare farani) [needs IPA] is an oil on canvas painting by Paul Gauguin, from 1891. It is held in the Pushkin Museum in Moscow. It was one of the first in his series of Tahitian works.