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The size of these is described by a "conventional" fraction that has no mathematical significance. For example, a 7/8 violin has a scale of about 317 mm, a 3/4-size instrument a scale of 307 mm, a half-size one 287 mm, and a quarter-size one 267 mm. 1/8, 1/10, 1/16 and 1/32 and even 1/64 violins also exist, becoming progressively smaller, but ...
Travelling mandolin virtuosi like Carlo Curti, Giuseppe Pettine, Raffaele Calace and Silvio Ranieri contributed to the mandolin becoming a "fad" instrument in the early 20th century. [59] This "mandolin craze" was fading by the 1930s, but just as this practice was falling into disuse, the mandolin found a new niche in American country , old ...
The octave mandolin (US and Canada) or octave mandola (Ireland and UK) is a fretted string instrument with four pairs of strings tuned in fifths, G−D−A−E (low to high). It is larger than the mandola , but smaller than the mandocello and its construction is similar to other instruments in the mandolin family.
Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [1]
Weymann and Son was a Philadelphia company, manufacturers of Weymann and Keystone State musical instruments. [1] They manufactured the mandolute during the early 20th century. [1] They also had a retail store on 1010 Chestnut Street. [1] They advertised in the Philadelphia papers, with advertisements pushing culture.
As noted earlier, several tunings were employed for the mando-bass, depending on the style and size of the individual instrument, player's preference, and the requirements of the music to be performed. Tuning on the full-sized 4-string instrument was commonly in fourths, and identical to the orchestral double bass: E1 A1 D2 G2.