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Star Trek II: The Wrath of Khan is a 1982 American science fiction film directed by Nicholas Meyer and based on the television series Star Trek.It is the second film in the Star Trek film series following Star Trek: The Motion Picture (1979), and is a sequel to the television episode "Space Seed" (1967).
Star Trek creator Gene Roddenberry first suggested the idea of a Star Trek feature in 1969. [1] When the original television series was cancelled, he lobbied to continue the franchise through a film. The success of the series in syndication convinced the studio to begin work on a feature film in 1975. [2]
Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. [4] It is the 12th installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series.
Even Star Trek itself has gone back to the Khan well: The second installment in J.J. Abrams's rebooted Kelvin Timeline film series, Star Trek: Into Darkness, incorporated multiple elements from ...
The gap between the 1986 film Star Trek IV: the Voyage Home (2286) and the 1987 first season of The Next Generation (2364) is 78 years by this timeline, matching early press materials. A gap of 10 years passed between the broadcast of the last episode of Star Trek: The Original Series and the release of The Motion Picture.
The “good” Georgiou died early in the series; now the genocidal and wickedly intelligent Emperor Georgiou leads the franchise’s first-ever television movie, “Star Trek: Section 31,” now ...
The Kobayashi Maru is a fictional spacecraft training exercise in the Star Trek continuity. It is designed by Starfleet Academy to place Starfleet cadets in a no-win scenario. The Kobayashi Maru test was invented for the 1982 film Star Trek II: The Wrath of Khan, and it has since been referred to and depicted in numerous other Star Trek media.
Michelle Yeoh is fun to watch in "Star Trek's" first TV movie, but the series-turned-film is a tonal mish-mash that feels stranded on the verge of something that will never come.