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Their architectural style, an offshoot of the Western Chalukya style, [36] shows distinct Dravidian influences. The Hoysala architecture style is described as Karnata Dravida as distinguished from the traditional Dravida, [37] and is considered an independent architectural tradition with many unique features. [38] [39]
Vijayanagara architecture of 1336–1565 CE was a notable building idiom that developed during the rule of the imperial Hindu Vijayanagara Empire. The empire ruled South India , from their regal capital at Vijayanagara , on the banks of the Tungabhadra River in modern Karnataka , India .
Pancha Rathas is an example of monolithic Indian rock-cut architecture. The complex was initially thought to have carved during the reign of King Narasimhavarman I (630–668 CE). However, historians such as Nagaswamy attributed all of monuments in Mahabalipuram to Narasimhavarman II (c. 690–725 CE) with the discovery of new inscriptions. [1]
It is distinctively Dravidian, and according to Brown, owing to its features, Hoysala architecture qualifies as an independent style. [52] While the Hoysalas introduced innovative features into their architecture, they also borrowed features from earlier builders of Karnata like the Kadambas , Western Chalukyas .
Dravidian style architecture is commonly seen throughout Pandyan temples and it is a southern Indian architectural style. [35] The predominant features of Dravidian architecture are the main tower, referred to as the vimana, and the entrance gateway referred to as the gopuram.
Architecture of a Hindu temple (Nagara style). These core elements are evidenced in the oldest surviving 5th–6th century CE temples. Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the garbha griha or womb-chamber, where the primary Murti or ...
Many of these features are already present in the oldest known Indo-Aryan language, the language of the Rigveda (c. 1500 BCE), which also includes over a dozen words borrowed from Dravidian. The linguistic evidence for Dravidian impact grows stronger as we move from the Samhitas down through the later Vedic works and into the classical post ...
The adoption of the elephant-lion combination is inferred as more of a Buddhist tradition which was modified in the Pallava architectural style when animal motifs were added. The lion, which is the vehicle of Durga, is a 6 feet (1.8 m) high stone sculpture carved from a boulder located in the prakara of the ratha. [ 12 ]