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Who Really Cares is the second studio album by American indie pop band TV Girl. It was self-released on February 26, 2016 [ 1 ] and is described by the band as "an album about sex or lack thereof, and its consequences or lack thereof".
TV Girl is an American indie pop band from San Diego, California, consisting of lead vocalist Brad Petering, drummer Jason Wyman, and keyboardist Wyatt Harmon. [ 2 ] [ 3 ] The band released its first three EPs in 2010 and a mixtape in 2012.
French Exit is the debut studio album by American indie pop band TV Girl. It was released on June 5, 2014 and follows the release of their first mixtape The Wild, The Innocent, The TV Shuffle and their third EP Lonely Women. [1] The band describe the album's songs as "about lost lust, too much love and not enough." [2]
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In August 2009, the Software and Information Industry Association (SIIA) released a follow-up to the original video of 1992, titled Don't Copy That 2.The video features M. E. Hart reprising his role as "MC Double Def DP" and follows a college student named Jason who sells pirated software online before being arrested for his crimes (though it is unclear whether the legal repercussions are a ...
Simon Wilcox is a Canadian poet [1] [2] and songwriter, [3] based in Los Angeles, California. Her songs have been recorded and released by Blink 182, Britney Spears, Carly Rae Jepsen, Enrique Iglesias, Miranda Lambert, The Used, Nick Jonas, Camilla Cabello, Selena Gomez, Fever 333, Royal and the Serpent, Five Seconds of Summer, Goldfinger, Demi Lovato, Charlie Puth, Steve Aoki, Rita Ora, Liam ...
The original lyrics were about being rejected by a girl - with the original hook being "She's just like every other girl". [8] The song was fleshed out by Cameron Muncey , who also convinced Caster to make the lyrics more positive, so he changed the hook to "Are you gonna be my girl". [ 6 ]
"That girl was sane. Billboard said that the song starts "with a haunting instrumental before his perceptive lyrics and vocals take charge" and that the melody builds in intensity over the course of the song. [5] Record World called it a "prime example" of how "Browne's ballad-into-rocker arrangements are endearing as they are distinctive." [6]