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100 najboljih pesama svih vremena YU rocka (Top 100 Yugoslav Rock Songs of All Times) was a list compiled by the Serbian music magazine Rock Express. In 1999, Rock Express started the poll for the selection of top 100 Yugoslav rock songs. The whole list was published in the 25th issue of Rock Express, in 2000. [1]
The Serbian folk music is both rural (izvorna muzika) and urban (starogradska muzika) and includes a two-beat dance called kolo, which is a circle dance with almost no movement above the waist, accompanied by instrumental music made most often with an accordion, but also with other instruments: frula (traditional kind of a recorder), tamburica ...
Serbian rock is the rock music scene of Serbia.During the 1960s, 1970s and the 1980s, while Serbia was a constituent republic of Socialist Federal Republic of Yugoslavia, Serbian rock scene was a part of the SFR Yugoslav rock scene.
Turbo-folk is a subgenre of contemporary South Slavic pop music that initially developed in Serbia during the 1990s as a fusion of techno and folk.The term was an invention of the Montenegrin singer Rambo Amadeus, who jokingly described the aggressive, satirical style of music as "turbo folk".
Their music was a mix of Serbian folk music with rock elements and folksy, ... Srbija se umirit ne može 1990. 17. Nindže kornjače 1991. 18. Projekat 2006.
YU 100: najbolji albumi jugoslovenske rok i pop muzike (trans. YU 100: the Greatest Yugoslav Rock and Pop Music Albums) is a book by Duško Antonić and Danilo Štrbac, published in 1998. [1] It features a list of top 100 former Yugoslav popular music albums, formed according to the poll of 70 Serbian music critics, journalists, artists and ...
Grand Production (Serbian: Гранд продукција / Grand produkcija) is a Serbian record label and production company predominantly focused on folk performers. The label produces the weekly television show Grand Parada, launched their own cable television channel, and organize a competitive festival of pop-folk and turbo-folk music, Grand Festival.
The followup, Sh.g.t.m., featured a similar lyrical style, having numerous vulgarisms, and sampled music combined with heavy beats. The recording sessions featured the guitarist Vojislav Bešić "Beške", a former Bezobrazno Zeleno and Glsiersi member, and Margita Stefanović's EQV appeared in the song "Misli mene gone" ("Thoughts Are Haunting ...