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F Sharp notes. F ♯ (F-sharp; also known as fa dièse or fi) is the seventh semitone of the solfège. It lies a chromatic semitone above F and a diatonic semitone below G, thus being enharmonic to sol bémol or G ♭ (G-flat) in 12 equal temperament. However, in other temperaments, such as quarter-comma meantone, it is not the same as G ♭.
Sharp The sharp symbol raises the pitch of a note by one semitone. Natural A natural cancels a sharp or flat. This sharp or flat may have been indicated as an accidental or defined by the key signature. Double flat A double flat lowers the pitch of a note by two semitones. Double sharp A double sharp raises the pitch of a note by two semitones.
F ♯ (musical note) F-sharp minor, a minor musical scale; F-sharp major, a major musical scale; F# (programming language), a .NET programming language "F Sharp", a comedic song by Tim Minchin on his So Rock CD "F ♯ (Wake Up)", a song on Handle With Care by Nuclear Assault; F ♯ A ♯ ∞, an album by Godspeed You! Black Emperor "F Sharp ...
F is a musical note, the fourth above C or fifth below C.It is the fourth note and the sixth semitone of the solfège.It is also known as fa in fixed-do solfège. [1] It is enharmonic equivalent with E ♯ (E-sharp) [2] and G (G-double flat), [3] amongst others.
In most cases, a sharp raises the pitch of a note one semitone while a flat lowers it one semitone. A natural is used to cancel the effect of a flat or sharp. This system of accidentals operates in conjunction with the key signature, whose effect continues throughout an entire piece, or until another key signature is indicated.
F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from Nabucco, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata.
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In rare cases, the sharp keys may be extended further, G ♯ → D ♯ → A ♯ → E ♯ → B ♯ → F → C, requiring double sharps in the key signature: F, C, G, D, A, E, B. These are called theoretical key signatures. This principle applies similarly to the flat keys.