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Chinese art : a guide to motifs and visual imagery. Boston, US: Tuttle Publishing. ISBN 978-1-4629-0689-5. OCLC 893707208. Williams, Charles (2006). Chinese symbolism and art motifs : a comprehensive handbook on symbolism in Chinese art through the ages. New York: Tuttle Pub. ISBN 978-1-4629-0314-6. OCLC 782879753
Model of a classic Chinese late imperial era home unit. Traditional Chinese house architecture refers to a historical series of architecture styles and design elements that were commonly utilized in the building of civilian homes during the imperial era of ancient China. Throughout this two-thousand-year-long period, significant innovations and ...
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The blue sky and green vegetables were considered shades of a single color which could even include black as its darkest hue in some contexts. Modern Standard Mandarin makes the blue-green distinction using lǜ (綠; 绿 'leafy') for green and lán (藍; 蓝 'indigo') for blue. Qīng was associated with health, prosperity, and harmony.
A significant number of cast members applied makeup, focusing mostly on the eyes, to make their features appear more Korean/East Asian in one of the film's stories. The film is based on the idea of having the same actors reappear in different roles in six different story lines, one of which is set in 'Neo Seoul' in the year 2144.
The Seattle Asian Art Museum (often abbreviated to SAAM) is a museum of Asian art at Volunteer Park in the Capitol Hill neighborhood of Seattle, Washington, United States. Part of the Seattle Art Museum , the SAAM exhibits historic and contemporary artworks from China, Korea, Japan, India, the Himalayas, and other Southeast Asian countries. [ 2 ]
Examples of computer clip art, from Openclipart. Clip art (also clipart, clip-art) is a type of graphic art. Pieces are pre-made images used to illustrate any medium. Today, clip art is used extensively and comes in many forms, both electronic and printed. However, most clip art today is created, distributed, and used in a digital form.
The Asian Mystique: dragon ladies, geisha girls, & our fantasies of the exotic orient. Wang, Yiman (2005). "The Art of Screen Passing: Anna May Wong's Yellow Yellowface Performance in the Art Deco Era". In Catherine Russell (ed.). Camera Obscura 60: New Women of the Silent Screen: China, Japan, Hollywood.