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Eastman Kodak Co. v. Image Technical Servs., Inc., 504 U.S. 451 (1992), is a 1992 Supreme Court decision in which the Court held that even though an equipment manufacturer lacked significant market power in the primary market for its equipment—copier-duplicators and other imaging equipment—nonetheless, it could have sufficient market power in the secondary aftermarket for repair parts to ...
Eastman Kodak v Harold Worden is a case of industrial espionage involving the sale of information by Harold Worden, a former Kodak manager, to Kodak's competitors in 1995. . Worden was caught selling details on the 401 process, a process designed to increase the speed and quality of film during development, during a sting operation conducted by Kodak after two of their competitors, Konica and ...
Eastman Kodak also undertake contract coating and/or packaging for other still film brands, including Cinestill (remjet free versions of color movie films), Lomography color negative films and Fujifilm, who from 2022 procured production of some color negative films from their former business rival. Due to shortage of still films, 35mm motion ...
The E-4 process has been discontinued since 1996; after 1976 it was used solely for Kodak IE color infrared film, [7] due to a legal commitment by Kodak to provide process support for 30 years after introduction. Kodak discontinued E-4 processing in 1985, but independent photofinishers continued to support the process. [8]
The Cineon System was one of the first computer based digital film systems, created by Kodak in the early 1990s. It was an integrated suite of components consisting a motion picture film scanner, a film recorder and workstation hardware with software (the Cineon Digital Film Workstation) for compositing, visual effects, image restoration and color management.
Kodascope is a name created by Eastman Kodak Company for the projector it placed on the market in 1923 as part of the first 16mm motion picture equipment. The original Kodascope was part of an outfit that included the Cine-Kodak camera, tripod, Kodascope projector, projection screen, and film splicer, all of which sold together for $335. [1]
An unused roll of Kodak Technical Pan 35 mm film. Technical Pan is an almost panchromatic black-and-white film that was produced by Kodak. While it can reproduce the visible light spectrum, it leans to the red, and so unfiltered outdoor shots render blues, most notably the sky, with additional darkening and reds with some lightening.
Ciné-Kodak Special, film transport section only. Earlier Kodak 16 mm movie cameras, including the Ciné-Kodak Models B, F and K, shared a common design, being rectangular boxes with a top-mounted handle and a lens extending from the smallest side, similar in shape to a briefcase but smaller. [1]