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On 12 February 1947, Christian Dior, aged 42, presented his first collection at 30 Avenue Montaigne, which was strewn with flowers by Lachaume. The Editor-in-Chief of Harper's Bazaar, Carmel Snow, strongly believed in the couturier's talent, which she had already noted in 1937 with the Café Anglais model that he designed for Robert Piguet.
Balenciaga's 1945 endorsement of sloped shoulders signaled the direction that fashion was heading, and this was confirmed with Christian Dior's transformative 1947 Corolle collection, characterized by a striking natural shoulder line.
The name of the line of his first collection, presented on 12 February 1947, [23] was Corolle (literally the botanical term corolla or circlet of flower petals in English). Dior's debut collection included a launch of 90 garments displayed in outfits. [24] The phrase New Look was coined for it by Carmel Snow, the editor-in-chief of Harper's ...
On 12 February 1947, Christian Dior launched his first fashion collection for Spring–Summer 1947. The show of "90 models of his first collection on six mannequins" was presented in the salons of the company's headquarters at 30 Avenue Montaigne. [10] Originally, the two lines were named "Corolle" and "Huit". [10]
These collections were so transformative [34] that some fashion writers compared them to Christian Dior's 1947 Corolle collection in importance. [ 35 ] [ 36 ] [ 37 ] Their influence would extend through about 1967, [ 38 ] touching everyone from top hairdresser Vidal Sassoon [ 39 ] to Coco Chanel , who showed her first pantsuits a few months ...
He worked with Elsa Schiaparelli until he became head of Christian Dior's tailleure atelier in 1947, but was denied work at Balenciaga. [10] While at Dior, he contributed the popular Bar suit for Dior's inaugural 1947 "Corolle" collection, already displaying the deft tailoring that he would be known for in later years. [11] [12]
In 1947 she exclaimed, "It's such a new look!", thus coining that phrase in regard to Christian Dior's 1947 collection. [11] [12] Snow died in 1961, while she was working with her long-time collaborator Mary Louis Aswell on her memoir, The World of Carmel Snow. [1] [13] The book was published posthumously. [4]
The couturier Christian Dior created a tidal wave with his first collection in February 1947. The collection contained dresses with accentuated busts, tiny (or "wasp") waists, and extravagantly full skirts, emphasizing the feminine hourglass figure in a manner very similar to the style of the Belle Époque.