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Robert Fagles (/ ˈ f eɪ ɡ əl z /; [1] September 11, 1933 – March 26, 2008) [2] [3] was an American translator, poet, and academic. He was best known for his many translations of ancient Greek and Roman classics , especially his acclaimed translations of the epic poems of Homer .
Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy Map of Aeneas' fictional journey. The Aeneid (/ ɪ ˈ n iː ɪ d / ih-NEE-id; Latin: Aenēĭs [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.
A translation by Robert Fagles renders the quote as: "The world is a world of tears, and the burdens of mortality touch the heart." [ 3 ] Robert Fitzgerald , meanwhile, translates it as: "They weep here / For how the world goes, and our life that passes / Touches their hearts."
Stanley F. "Stan" Lombardo (alias Hae Kwang; [1] born June 19, 1943) is an American Classicist, and former professor of Classics at the University of Kansas. He is best known for his translations of the Iliad, the Odyssey, and the Aeneid (published by the Hackett Publishing Company).
The work was the first complete translation of a major classical text in the Scots language and the first successful example of its kind in any Anglic language. In addition to Douglas's version of Virgil's Aeneid , the work also contains a translation of the "thirteenth book" written by the fifteenth-century poet Maffeo Vegio as a continuation ...
Lattimore was a Fellow of the Academy of American Poets, and a member of Phi Beta Kappa, the National Institute of Arts and Letters, the American Academy of Arts and Sciences, the American Philosophical Society, the American Philological Association, and the Archaeological Institute of America, as well as a Fellow of the American Academy at Rome and an Honorary Student at Christ Church, Oxford.
This page was last edited on 8 September 2003, at 09:33 (UTC).; Text is available under the
Map of Homeric Greece. In the debate since antiquity over the Catalogue of Ships, the core questions have concerned the extent of historical credibility of the account, whether it was composed by Homer himself, to what extent it reflects a pre-Homeric document or memorized tradition, surviving perhaps in part from Mycenaean times, or whether it is a result of post-Homeric development. [2]