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Chart showing the relative changes in pitch for the four tones of Mandarin Chinese. On a scale of 1 to 5 with 5 being the highest pitch, the first tone remains constant at 5, the second tone rises from 3 to 5, the third tone falls from 2 to 1 and then rises to 4, and the fourth tone falls from 5 to 1. Source: Self-published work by Wereon ...
Standard Mandarin Pinyin Table The complete listing of all Pinyin syllables used in Standard Chinese, along with native speaker pronunciation for each syllable. Pinyin table Pinyin table, syllables are pronounced in all four tones. Pinyin Chart for Web Pinyin Chart for Web, every available tones in the Chinese language included.
The four tones of Chinese poetry and dialectology (simplified Chinese: 四声; traditional Chinese: 四聲; pinyin: sìshēng) are four traditional tone classes [1] of Chinese words. They play an important role in Chinese poetry and in comparative studies of tonal development in the modern varieties of Chinese , both in traditional Chinese and ...
Thai has five phonemic tones: mid, low, falling, high and rising, sometimes referred to in older reference works as rectus, gravis, circumflexus, altus and demissus, respectively. [2] The table shows an example of both the phonemic tones and their phonetic realization, in the IPA. Thai language tone chart
A rime table or rhyme table (simplified Chinese: 韵图; traditional Chinese: 韻圖; pinyin: yùntú; Wade–Giles: yün-t'u) is a Chinese phonological model, tabulating the syllables of the series of rime dictionaries beginning with the Qieyun (601) by their onsets, rhyme groups, tones and other properties.
It is pronounced in tone 2 if the classifier has tone 4. In Taiwanese tone sandhi, tone 1 is pronounced as tone 7 if followed by another syllable in a polysyllabic word. Some romanization schemes, like Jyutping, use tone numbers. Even for Pinyin, tone numbers are used instead when diacritics are not available, as in basic ASCII text.
The four tones of Middle Chinese—level (平), rising (上), departing (去), and entering (入) tones—are categorized into level (平) tones and oblique (仄) tones. Tones that are not level are oblique. When tone patterns are used in poetry, the pattern in which level and oblique tones occur in one line is often the inverse of that of the ...
As descriptions, they apply rather to the predecessor Middle Chinese tones than to the modern tones. Most romanization systems, including pinyin, represent the tones as diacritics on the vowels, as does bopomofo. Some, like Wade–Giles, use superscript numbers at the end of each syllable. The tone marks and numbers are rarely used outside of ...